I can still picture Joan Jett – the album cover, propped up on the radiator next to my window – as we listened on my handed down, Realistic brand phonograph. He stole it out of his sister’s record bin, brought it over to my house, and never bothered to take it back.
I love Rock ‘n’ Rollįor one thing, I acquired my Joan Jett I Love Rock ‘n’ Roll album from my friend Tom. My musical tastes were definitely unique, but that didn’t stop me from secretly digging Olivia Newton-John and singing along to both parts on “Summer Nights.” And after she released “Physical,” I doubt I was the only one. I have no idea how a nine-year-old kid latched on to a female-fronted Swedish disco-pop band, but it was the start of my fandom for female vocalists and women fronted rock bands.Īs a small town kid, I was surrounded by 12-year-old boys in knee-high Adidas socks and Judas Priest T-shirts cut at the midriff. It featured “Take a Chance on Me” as well as “Dancing Queen” and “Money, Money, Money.” I can still hear those songs in my head although the record is long gone. The first record album I ever bought was the 1979 release, ABBA Greatest Hits, Volume 2. The show was Joan Jett and the reason I wanted to go is I love rock and roll (especially when the band is fronted by a woman). For me to use a babysitter-chip to trek out to a rural casino and see a show is kind of depressing. As a married father of three, I don’t get out as much as I used to. Not long ago, I realized I was considering tickets for a show at Grand Casino, Hinckley. In this month’s post, Digital Video and Media Production Program Chair Trey Wodele writes about the roots of his lifelong obsession with female fronted rock bands. As an added resource, companion packages are available in the IPR library to further explore the topics discussed in this series. They will lay naked the forces that shaped us as educators, artists, and consumers of media. The posts will dig deep into our childhoods and explore the roots of our tastes in music, literature, and film.
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